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Where was I?

The original intention of the internet was to have a place to do whatever I want, assuming it was an ever expanding space. Still not sure if that is a ‘good’ or ‘bad’ idea. I know it synchs up with pretty well with taoism though.

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Podcasting is easy really. I don’t why I make such a fuss about it. And this is the year of going live so I did the whole of Australian Sentences #who’s counting with all the poems it links too. So hopefully this forms a little narrative.

Here are the words.

(5:23)

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While I was away

I practised my podcasting to little effect. It is still atrocious and I apologise profusely. I was sober though, I am trying to pretend to be a bit drunk, as a character. I hope that doesn’t upset anybody. There is no swearing and I was fully clothed.

(2:44)

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Where is everybody?

I have podcast naked and standing up, sorry. Video on demand. (1:13)

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Eating Echidnas

is what podcasting is like to me.

(1:07)

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Grau De Sandice

By special request.

The Words

(1.08 secs)

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Con-temporary Poetry

Alright, it seems to work better when I am sober, like most things. This one is a bit fast, and the voices are a bit funny but the poem was supposed to be a bit of a parody or something.

(52 secs)

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Standstill

I almost came to a standstill, Ma’am. I tried to go so slowly. And use two distinct voices. Thankyou for listening. Here are the words.

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Context

Embarassment, I think is a healthy thing. Otherwise would I be doing this?

You might want to turn it down a little bit. Or a lot.

Here is the script back at the word blog.

(1.05)

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The Puzzle Box (1)

Yes, yes, I know slow down, you all say. But the writing is connected directly to breath. The mental breaths aren’t the same as normal breathing. The sentences are lond and complex for a reason. I can write short and sharp too, but these long convoluted sentences are a key element in creating the illusion of a machine. So the performance will slow down and the scenes become clearer and slower, I promise.

(1:35)

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